Year:
2002 Project Description:
This piece consists of simple chains of sounds, which are growing and shrinking. But these chains are difficult to recognize, because the whole composition is cut up in small parts and assembled again like a puzzle.
Furthermore recorded and sometimes digital transformed samples of the clarinet are played back.
In 2klar the distinction and perception of the "real" and "faked" sounds is very important. Can we distinguish the "live"-clarinet from the recorded (and transformed) one ?
Public Presentations and Performances:
2klar @ steirischer herbst 2002 Documentation:
